Monday, 31 October 2016
REAR WINDOW 
Stewart plays a man confined to a wheelchair in his New York apartment, where he gleefully spies over the neighborhood through his window, leading him to believe he's seen a man murder his wife.
Hitchcock allows the camera to only move throughout the apartment, thereby limiting the audience to what only Stewart's immobilized character can hear and see. Shot and told with complex simplicity, lovingly detailed ambience, light-hearted thrills and plenty of snappy dialogues, Rear Window is the type of film that needs the sharp precision of The Fat Man in order for it not to fall apart. Perhaps it's just an entertaining way for Hitchcock to tell us to just get out and talk to folks or he'll break both your legs.
4½ types of relationships out of 5