Peninsula (2020)

AKA: 반도 (Bando)

A sequel to Train to Busan, taking place four years later when refugees are tasked with returning to the ruins of South Korea to retrieve a truck full of riches, where the quarantined survivors and hordes of undead remain. Like most modern zombie media, it focuses more on humans fighting each other rather than the actual apocalypse. It's not a bad film, but it's sprawling and unfocused, and contains one too many fast and furious vehicle sequences.

2½ underground arenas out of 5

Train to Busan (2016)

AKA: 부산행 (Busanhaeng)

En route a high-speed rail heading to Busan, passengers begin experiencing extreme distress and bodily changes after an infectious person gets onboard.

This modern classic Korean zombie flick is in an unrelenting, intense, brutal and at times heart-wrenching journey in line with Dawn of the Dead (2004) and World War Z, that plays out a bit like 28 Days Later meets Snowpiercer.

4 baggage compartments out of 5

Bottoms (2023)

A satirical "comedy" about two queer high school girls who start a feminist self-defense club in order to attract other girls. A lousy film that tries so hard to be edgy and cool like a female Fight Club, but winds up being obnoxious and largely forgettable. Obviously this movie wasn't intended for me, but it doesn't have to try so hard to be repugnant and appallingly bad for "shock" value. It's a shame because I've loved all the other raucous comedies that came out in the summer of 2023, but this one just landed with a thud for me.

1 bomb out of 5

Better Off Dead (1985)

After being dumped by his girlfriend, Lane Myer is depressed and suicidal, as his efforts to either kill himself or win her back both fail miserably. Despite the dark subject matter, this is a very fun and whimsical comedy with creative flights of fancy and surrealism that was destined to become a cult classic.

3½ persistent paperboys out of 5

Brats (2024)

Being a child of the '80s, I found myself really invested in this documentary. It's a fly on the wall journey, following actor Andrew McCarthy attempting to reunite with his old colleagues after thirty-some years. It opens up about their uncomfortable relationship with the term "brat pack" (coined in 1985 as a play on "rat pack") which stigmatized many of their careers (although Rob Lowe and Demi Moore escaped relatively unscathed). As an outsider who missed that phenomenon by a few years, I never looked down on the brat pack label. In fact, I purposely sought out all of those films. And after having watched this, I want to go back and see them all again. The 1980s are like comfort food to me. I kind of wish it had been a reunion for all of them, rather than just Andrew's story, but there is some catharsis in following that personal journey. Sad that Molly Ringwald declined and Judd Nelson didn't end up being a part of it, since he seemed to be the one who was most affected by it in older interviews.

3 scathing articles out of 5

Billie Eilish - Hit Me Hard and Soft: The Tour (Live in 3D) (2026)

Over the past two decades, James Cameron has directed three movies about tall blue alien dudes...and this, a concert film/documentary featuring 24-year-old, 10-time Grammy winner Billie Eilish during the final leg of her 2025 tour. It's a dynamic performance full of spectacle and boundless energy, as the pop singer-songwriter bounds up and down the 360° stage with a swollen ankle. No matter what you think of her music, you have to respect the gumption and raw talent it takes to command a stage like that, while we observe glimpses of her working hard behind the scenes. It's the very definition of a vanity piece, but it's made with the fans in mind, so you know you're going to get a lot of footage of teen girls crying in the rafters. It's the closest approximation to a live concert experience I've probably ever had sitting in a movie theater.

Regardless of whether you're a fan or not, this is what true power looks like.

3½ bad guys out of 5 (duh)

The Breadwinner (2026)

I'm not sure where the hell Nate Bargatze came from, but the world really likes telling us he's all of a sudden somehow the highest grossing stand-up comedian in America. Marketed as a clean comic to broaden his fanbase, he comes across as a likeable everyman, in a milquetoast kind of way. This is a very old fashioned kind of family comedy (à la Mr. Mom) where the father has to step up and take on the role of house husband after his wife is offered a huge business opportunity. It's completely generic, inoffensive and full of product placement to remind you he's being sponsored by all the big brands.

1½ bubbles of consent out of 5

Backrooms (2026)

Kane Parsons was only 16 years old when he created his found footage web series The Backrooms, based on the popular creepypasta. Now at 20, he adapts his own material for his first feature film, which retains its grassroots design.

It's interesting how internet-based folklore (such as Slender Man) has steadily creeped its way into our collective subconscious, but it tends to keep building on itself. Taking its origins in the 1990s and early 2000s, the idea of glitching through reality into a space "in between" that stretches out infinitely is pure nightmare fuel. It has that uneasy feeling of being lost in the outer boundaries of a video game, and the ensuing claustrophobia and panic that sets in when you realize there's no escape. This is spooky stuff that hits at a primal level. This type of labyrinthine fever dream was also recently explored in Exit 8.

This movie is quite the experience. It's almost as if someone mainlined Twin Peaks season 3 directly into their veins. A lot of bizarre, nonsensical stuff that can't be explained and held together by dream logic, haunting imagery and loose strands of plot. It is truly eerie and unpredictable. I can't get enough of this shit. It leaves so much to the imagination. A simple, back to basics horror concept that can be explored ad nauseam, yet it merely scratches the surface. Just don't wander in too deep or you might get trapped in some rabbit holes.

4 l̶̛̛͖̮̞͉̽͋̈́̀͊͛̐̅͂͘̚͝i̸̡͖̗͉̽̇͒̏̈́̒̐ͅm̶̛̩̖̗͇̺͕̹͙̜̜̺̳̎͑̌̀͛͂̀̈́̇ͅi̶̛̙̳̙̘̭̭͇̻̲͎̒̀̊͑̎̿̿͒̋̑̄n̵̯̳̺̲̔̋͂̈̊̆̇̍͗̿ą̶̨̰̹͚̖̈́̑̐̉̀̂̄͑͗̕͠ͅͅl̵̡͙͇̯̤͇͔̮͍̪̦͒͌̔̈́͗̾ ̵͚̭̈́̌̏̓̿̽͊͌̾͑̓̚͝s̸͔̳̱̖̖̜̓͒̂͊̉͜͝͝͝ͅp̵̨̨̡̜̟̹͔͆͋̅̅̽̾͗̇̽̈́̋̚͘a̷̯̟̩̹̦̥̥̯̍̈́̄̒͛̈́̓͌̑͗̂̒͝c̷̨̧͕̝͓̬̠̫͎̟̖̼̪̐ͅę̶̨͔͉̯̰̬̲̹̰͍̫̦̆͒s̴̢̨͇͇̙͓̞͇͖̞͖̰͍͝ out of 5

Busboys (2026)

This movie is D-U-M dumb. But also funny as hell, in that blatantly politically incorrect way that most comedies don't have the brass to be anymore. David Spade specializes in these white trash Joe Dirt knock-off roles, while Theo Von (more or less playing himself) goes along for the ride as two busboys who travel to Mexico in the hopes of being promoted to waiters. Yeah, it's retarded.

2½ hot plates out of 5

Balls Up (2026)

A couple of marketers develop the Balls Up, a condom designed to cover up the balls as well, and pitch it as the official condom of Brazil in the World Cup, before inciting an international incident that has them on the run. I'm sad that this came from one half of the Farrelly Brothers because it's a poor attempt at recreating the raunchy R-rated comedies of its heyday and it lacks any heart.

Buddy comedies usually build on the chemistry of its actors, but Paul Walter Hauser does most of the heavy lifting here. There's so much talent involved in front of and behind the camera, it's appalling how disastrous this turned out.

1½ minnows swimming upstream out of 5

The Bride! (2026)

A feminist, post-modernist reading on The Bride of Frankenstein, starring Jessie Buckley as the title character and Christian Bale as the monster. Hot off the heels of Jacob Elordi as Frankenstein, I can't stand this recent trend to "beautify" the monster, although I suppose Edward Scissorhands already cornered that market years ago. This feels more like a monster gangster movie like Bonnie & Clyde. It's a bizarre characterization, touched by madness, and Buckley once again demonstrates that she's one of the most dynamic young actresses of her generation. Stylistically, there's much to love in its 1930s aesthetic, but it's a mess of disparate parts, much like its characters.

Maggie Gyllenhaal is the mad scientist behind this experimental creation.

3 short legs out of 5

BlackBerry (2023)

1996: Waterloo, Ontario. Mike and Doug are two tech geniuses with an idea who hire the shrewd, aggressive Jim as salesman to whip their business into shape and start churning out results, in what would eventually become the prototype for the smartphone. Normally I find movies about start-ups boring, and I'm not sure how many liberties were taken, but it's a lot more interesting than it has any right to be, mostly due to the charisma of its two main leads. Innovation is the name of the game, and the BlackBerry was advanced for its time, but the world moves quickly and nothing ever stays the same for long.

3½ satisfying clicks out of 5

Silent Night, Deadly Night 4: Initiation (1990)

AKA: Bugs

Brian Yuzna steps in as director in a sequel that bears little resemblance to the previous three films (no guys in Santa suits here). It represents a clean break from the series, similar to Season of the Witch. In fact, this one also deals with witches, as a journalist investigates a bizarre burning incident, leading her on a dark odyssey. Even though it contains some cool, grody Cronenberg-esque special effects, it's clear the script was repurposed and Christmas seems to be an afterthought. It's so bizarre and nonsensical, it's to be admired, really.

1½ naked lunches out of 5

Blue Moon (2025)

Ethan Hawke plays Lorenz Hart, lyricist to famous tunes such as "My Funny Valentine," "The Lady is a Tramp" and the title of this movie, on the opening night of his former partner Richard Rodgers's hit Broadway show, Oklahoma! The entire film takes place in a restaurant where Hart waxes poetic, bemoans his luck, and harps over a woman half his age. Unfortunately Hawke does such a convincing job at playing the neurotic, overbearing, snobby character that I found the entire movie insufferable and exhausting. It's like Woody Allen except without any of the humor. Also, I couldn't get over the fact that he's playing a five foot character. I kept imagining him crouching in every shot.

2 tiny freckles on her left cheek out of 5

Barbarian Queen II: The Empress Strikes Back (1989)

This sequel in name only stars Lana Clarkson as a completely new character that has nothing to do with the first movie, other than featuring a lot of rape and another topless scene on a torturer's rack. In fact, this one seems to have more in common with Robin Hood as they attempt to overthrow the crown. After awhile, I always seem to lose the plot somewhere along the way...

1 gratuitous mud wrestling out of 5

Barbarian Queen (1985)

After their village is destroyed, a tribe of warrior women set out for revenge.

Once Red Sonja came out, it inspired its own legion of knock-offs of kick-ass women slaughtering men (more or less in a state of undress). As someone who finds enjoyment even in the bad, you have to take it for what it is. Cheapy '80s trash (which I hesitate to write off completely) with its spirit in the right place.

2 rape reversals out of 5

Beastmaster III: The Eye of Braxus (1996)

Don't you hate when a film series randomly changes to Roman numerals?

After time-travel portal hopping, it's a bit of tonal whiplash to go back to a straight S&S film. The cheap television budget removes the rest of its charm. Marc Singer still looks great in the role (he hasn't worn a shirt in three movies), but it's hilarious to me that his right-hand companion Ruh has turned from a black panther to a Bengal tiger to now a fully-fledged lion. Continuity has never been this franchise's strong point, but that's the least of its issues.

This made-for-TV movie marked the end of the film series proper, though it continued on the small screen for three seasons as a syndicated TV series.

1 Shroud of Agony out of 5

Beastmaster 2: Through the Portal of Time (1991)

It's Beastmaster meets Back to the Future, if the poster is any indication.

Taking a completely different tack than its predecessor, an interdimensional pathway has been opened up leading to 1990s Los Angeles. And it's quite a culture shock! Especially for the viewer. This is a much more tongue-in-cheek, non-serious film, but the gamble pays off as it's a new take on the usual sword and sorcery tropes. I understand why people might despise this new direction, but it's a novel way to evolve the material. The Highlander influence is strong.

2½ ferrets out of 5

The Beastmaster (1982)

One of the better sword and sorcery flicks regards Dar, a babe born unto a cow (!), who gains the ability to telepathically communicate with animals and wages battle against an evil wizard. Visually, Marc Singer looks the part, which is half the battle, while Tanya Roberts accompanies him as the beautiful slave girl. With such an intriguing premise, I don't know how they manage to make a number of these movies so boring. They could have easily shaved a half hour off the runtime to make it more palatable. Anyway, take the good with the bad.

3 eagle screeches out of 5

A Big Bold Beautiful Journey (2025)

A whimsical romantic fantasy about two beautiful people who can't find love (that old chestnut). Through the help of a car rental agency and a magical GPS, they go on an uncharted journey filled with doorways to the past where they revisit past traumas and other pivotal moments of life that prevent them from moving on. It's predictable and not all as fun as it could be given the concept, but worth watching if you want to get out of your own head for awhile. If life is this difficult for the privileged, then what chance do the rest of us have?

3 fast food cheeseburgers out of 5