I Am a Sex Addict (2005)

Caveh Zahedi is a documentarian known for doing some gonzo self-reflexive works that defy conventional boundaries and taste. In this autobiographical meta-comedy, he turns the camera on himself and his lifelong sex addiction, and it's a warts-and-all portrayal of desperation and humiliation. This theme tends to be fascinating when it's completely sincere, as uncomfortable as the subject matter can be at times. It takes balls to put yourself out there like this.

3½ escorts out of 5

Deep Throat (1972)

Trashy filmmaking at its finest. Caused quite a stir back when it was released and launched the "porno chic" movement. Odd to think there was once a time when people freely admitted to attending dirty, dingy, sticky adult theaters and watching a stag film in a room full of consenting adults. Seems a lot more healthy and sex-positive than anything that happens nowadays. Sexuality has become something shameful and to be hidden in the dark, rather than talked about, celebrated and enjoyed. Always felt like a backwards culture to me.

The plot is familiar by now: a woman (Linda Lovelace) who's never achieved orgasm discovers that her clitoris is located in the back of her throat, and there's only one way to stimulate it... Nothing is left to the imagination. 

For an even deeper dive, check out the 2005 documentary, Inside Deep Throat, for further information about this '70s pop culture phenomenon.

2 bells rung out of 5

Note: Don't even bother with the sequel, which was softcore rubbish.

The Auteur (2008)

Arturo Domingo is a serious filmmaker whose titles range from My Left Nut to Gang Bangs of New York. He's known as the "Stanley Kubrick of Porn" and his obsession with his work only rivals his desire to capture back the one who got away. Honestly, half the fun of this mockumentary are all the punny titles that make up his filmography, while he attempts to unleash his magnum opus upon the world. The more I think back on this movie, the more it makes me giggle.

3 Full Metal Jackoffs out of 5

Film Geek (2005)

A nerdy, annoying video store clerk whose whole life revolves around movies struggles to connect with actual real life humans around him. A totally not-at-all familiar feeling. This is a very bare-bones indie film but it makes me roar with laughter at how relatable it is, and also makes me feel really bad about myself at the same time. It's safe to say this won't be for all tastes, but I loved it because of how earnest and real it feels. Just keep fapping through the pain.

4 late fees out of 5

Castaway on the Moon (2009)

AKA: 김씨 표류기 (Gimssi pyoryugi)

A bereft man jumps off a bridge and washes up on a small island, where he decides to make it his home. Meanwhile, an agoraphobic woman observes his antics through a telescopic lens from the confines of her own room. It's an unconventional "romantic" comedy, but full of heart and whimsy. A precursor to Swiss Army Man, which shares themes of misfits, isolation and loneliness.

4½ bowls of black bean noodles out of 5

3-Iron (2004)

AKA: 빈집 (Binjip)

A vagrant breaks into the home of an abused housewife, who, in the spur-of-the-moment, decides to run off with him. This slow-burn romantic drama told through sparse dialogue concerns two lost souls who appear to be what each other needs in the moment. I found Lee Seung-yeon spellbinding in her role, despite the fact that neither of these two main characters ever utter a word.

3½ ghost practices out of 5

Spring, Summer, Fall, Winter... and Spring (2003)

AKA: 봄 여름 가을 겨울 그리고 봄 (Bom yeoreum gaeul gyeoul geurigo bom)

A monastery floating on the water. An old monk trains a young boy. The film cycles through the stages and seasons of his life. Love, sex, death, and all the hard lessons in between. What I enjoy about this movie is how each section manages to keep you invested and carries a meditative quality with very little dialogue. It remains as powerful as when I first saw it years ago. And the cycle begins anew, as is the Buddhist tradition. Oh, how I wish we could escape it.

5 stones we carry in our heart out of 5

Oasis (2002)

AKA: 오아시스 (Oasiseu)

Recently released from prison, a mentally challenged derelict wanders adrift through life until he meets a woman with cerebral palsy who shares a tenuous connection to his past. Together, they strike up an unconventional relationship colored by her internal fantasy life, much to the chagrin of everyone around them. Lee Chang-dong's drama digs into deeply uncomfortable subject matter, but comes through with empathy towards those living with difficult conditions to whom society turns a blind eye. The acting from Sul Kyung-gu and Moon So-ri is very powerful, though I suppose audiences nowadays might take offense.

4 shadows cast out of 5

Punch-Drunk Love (2002)

Adam Sandler plays Barry Egan, a lonely, anxious man full of repressed rage, who attempts to court romance while finding himself the subject of extortion. The title is apt because this movie washes over you with colors and sounds that make you feel all warm and fuzzy inside, as dark and fucked up as it all is boiling beneath the surface. An absurdist romantic tale that still remains my favorite Paul Thomas Anderson film and one of Sandler's best roles to date.

5 pudding cups out of 5

Ruby Sparks (2012)

The ultimate male fantasy. A struggling novelist writes about falling in love with a woman and it comes true. In fact, everything he writes about her comes true. Of course, with great power comes...happiness? I fail to see the setbacks here. It's a take on the Pygmalion myth, but I won't spoil it any further. I love this film because it celebrates the power of imagination, as solipsistic as it is.

4½ muses out of 5

Note: See also, Mannequin, for a counterpoint to this idea.

Little Miss Sunshine (2006)

Dad's high strung. Mom is stressed out. The son's a nihilist. Grandpa is thorny. The uncle's depressed. The daughter is obsessed with making it to the beauty pageant in time. This is a perfect family road trip comedy in my eyes. No notes.

5 broken horns out of 5

Sideways (2004)

A depressed, failed writer accompanies his over-the-hill actor buddy on a middle-aged dude's trip to wine country for a week, in preparation of the latter's upcoming nuptials. All one wants to do is drink, while the other wants to sow his oats. This is a fantastic road trip comedy about depression, unlikely friendships, love, sex, and alcohol. A bottle review can't really do it justice.

5 spit buckets out of 5

Two Days (2003)

Paul Miller (Rudd) has lost the will to live and is planning to kill himself in two days. He hires a small documentary film crew to chronicle his final moments, in the hopes of making others understand. Meanwhile, nobody seems to take him seriously and thinks he's either full of shit or doing it for attention. There's a real risk for dramedies like this to become preachy or moralistic, but this is a grassroots style indie film that offers no easy answers. It's a bleak movie, but deals more realistically with the subject matter than it gets enough credit for.

3 walks on the beach out of 5

Tony (2026)

I knew nothing about chef and travel documentarian Anthony Bourdain, other than the manner of his demise. This biopic shines a light on a sliver of his life as a directionless young man trying to get by, by any means possible. Aspiring to be a writer, and chasing a girl cross-country, he happens into a job at a Cape Cod restaurant that would change the trajectory of his life forever. What I admire about this film is how dirty and rough around the edges it is. It doesn't pass judgement on its sleazy characters and his dark past, and breathes an air of fresh authenticity. I honestly didn't think I would enjoy it as much as I did.

4 buckets of water out of 5

Hot Summer Nights (2017)

A wayward youth becomes entrenched in the high-risk, high-reward business of drug trade during the raucous summer of 1991. I couldn't help but think of Risky Business, but this has its own stylish devices. It's a neo-noir drenched anti-coming-of-age drama that manages to do enough right to recommend.

3 incoming storms out of 5