The Breadwinner (2026)

I'm not sure where the hell Nate Bargatze came from, but the world really likes telling us he's all of a sudden somehow the highest grossing stand-up comedian in America. Marketed as a clean comic to broaden his fanbase, he comes across as a likeable everyman, in a milquetoast kind of way. This is a very old fashioned kind of family comedy (à la Mr. Mom) where the father has to step up and take on the role of house husband after his wife is offered a huge business opportunity. It's completely generic, inoffensive and full of product placement to remind you he's being sponsored by all the big brands.

1½ bubbles of consent out of 5

Ella McCay (2025)

A young upstart appointed to governor navigates the tricky politics of home dynamics and public office, with a heaping dose of "girl power." James L. Brooks brings his trademark light comedic style to the proceedings, but this feels so hollow and empty at its core that I don't even know what it's trying to say. Performances are good, but almost everyone feels wasted in their role.

1½ screams out of 5

Ghostbusters: Frozen Empire (2024)

The best Ghostbusters sequel since Part II. Unfortunately, this one involves too many moving parts and not enough focus on the original Ghostbuster crew, which is really all anyone wanted. Still, it's an entertaining picture that strives to bring back what we all loved about the original, even though it feels bloated with one too many storylines and characters (as you can glean from the poster above). I honestly wouldn't mind more films in the series in this vein, although time seems to be running out and the actors aren't getting any younger.

As for the plot, we're back in NYC, and it's cold. That's really all you need to know.

3½ ecto-containment units out of 5