Rosemary’s Baby (1968) and The Exorcist (1973), two films from which it borrows heavily.
It’s the story of a female model that moves into a NY apartment complex and quickly discovers that her neighbours are an oddball bunch. Shortly after that strange things begin to happen in the night.
A lot of it failed to catch hold of me, but there are two scenes that I’ll never forget: an uninhibited Beverly D'Angelo and a very chilling finale.
3½ abandoned hopes out of 5