In a Nutshell. Mini reviews of movies old and new. Minimum words. No fuss. No spoilers. Occasional trout.

Thursday, 16 July 2015

The Sentinel (1977)

Michael Winner’s technique can be as subtle as a sledgehammer meeting a grapefruit, but I find a lot of his stuff watchable, nevertheless. Sentinel is technically a horror film, but it’s the kind of sinister horror that builds slowly from a foundation of regular drama, not unlike Rosemary’s Baby (1968) and The Exorcist (1973), two films from which it borrows heavily.
It’s the story of a female model that moves into a NY apartment complex and quickly discovers that her neighbours are an oddball bunch. Shortly after that strange things begin to happen in the night.
A lot of it failed to catch hold of me, but there are two scenes that I’ll never forget: an uninhibited Beverly D'Angelo and a very chilling finale.

3½ abandoned hopes out of 5

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