Mel Brooks's final directorial effort will undoubtedly draw comparisons to the spoof classic Young Frankenstein, but this is a very different beast. Ravaged upon release, I can't help but look back kindly on it for all the raw talent and silliness it contains. If you compare it to Brooks's earlier work, it's lacking, but it's very funny on its own merits, and Leslie Nielsen remains in impeccable form. It has an old fashioned appeal that harkens back to the golden age.
3 csárdás out of 5
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