Cinematographer Wally Pfister steps out from under Christopher Nolan's shadow to make his directorial debut with the sci-fi/thriller Transendence.
Rebecca Hall plays the wife of a man (Johnny Depp) that turns himself into a frightening form of artificial intelligence. It's visually beautiful and breathing with a comfortable atmosphere but beyond that the film aims for more ambition than it can actually juggle. By asking big questions and giving silly answers you get the feeling Pfister wasn't entirely sure what the script was attempting to say and instead focused on flash 'n flair. Another jarring problem is I felt Hall (and Depp's voice) could have easily carried the entire film on her own with a bit of script re-working and deleting the rest of the useless supporting characters.
2 digital dreamcatchers out of 5
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