Some nonsense about corporate extraction and the nature of truth and love. It's based on a short by William Gibson and translates his sense of detachment and cold impersonality to the screen; I'm not sure if that was intentional or just bad filmmaking. It's depressing and empty, but has Christopher Walken and Willem Dafoe, so it didn't get the stop button.
Features Japanese illustrator Yoshitaka Amano and daughter of Dario, Asia Argento, who gets on the cover because she has tits. If Walken had tits he'd probably be there too.
1½ style over substance out of 5
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