Sarah (the youth from the original film now grown, played by Mia Kirshner) inexplicably dreams of Ashe Corven (Vincent Perez), a victim of the city's nasty stock types, a man who seeks justice for himself and one other.
The Crow: CoA is a stupid movie with an ugly aesthetic. A pervasive yellow smog covers everything much of the time. Perhaps it was an attempt to give the city a miasmic, otherworldly feeling? I don't know, but it feels instead like there's a tank of cloudy piss situated between the viewer and their screen. It's dumb, but is perhaps the least of the movie's problems. Situations often make no sense and/or have little in common with the whole. The antagonists are woeful. The S+M people are ridiculous. And, for some reason, seeing the resurrected Ashe on a Ducati made me wholesale lose my shit.
1 exploding treetop out of 5
In a Nutshell. Mini reviews of movies old and new. No fuss. No spoilers. And often no sleep.
Showing posts with label Mia Kirshner. Show all posts
Showing posts with label Mia Kirshner. Show all posts
Wednesday, 1 August 2018
Saturday, 1 October 2016
The Black Dahlia (2006)
Like The Untouchables (1987), Black Dahlia has a few exceptionally good scenes strategically placed within a historically interesting background that nevertheless feels overwhelmingly empty and lifeless.
Josh Hartnett is okay in the lead role, but a De Palma film needs a protagonist more than just 'okay' if he or she is to hold their own and not be swallowed up by the director's self-interests. The only two characters that manage to do just that are the murdered Dahlia (Mia Kirshner – amazing!) and the actual murderer (whom I can't praise directly because it would be spoiler).
It was reportedly three hours long cut down to a more palatable two, but while the pacing may have been improved if the additional footage was put back it's unlikely the overall feeling of boredom would've changed much.
2½ veneers out of 5
Josh Hartnett is okay in the lead role, but a De Palma film needs a protagonist more than just 'okay' if he or she is to hold their own and not be swallowed up by the director's self-interests. The only two characters that manage to do just that are the murdered Dahlia (Mia Kirshner – amazing!) and the actual murderer (whom I can't praise directly because it would be spoiler).
It was reportedly three hours long cut down to a more palatable two, but while the pacing may have been improved if the additional footage was put back it's unlikely the overall feeling of boredom would've changed much.
2½ veneers out of 5
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