Greenland (2020)

Clarke is a comet heading inbound for Earth. One family has been selected for emergency shelter relocation, but gets separated and must navigate their way to safety through the ensuing chaos and destruction, while the rest of the world is doomed to an extinction level event in less than 48 hours. This epic survival flick feels very straightforward; it's a stressful film that's more about the preparation for the disaster than the actual apocalypse soon to occur.

3 shock waves out of 5

The Mastermind (2025)

The world's dumbest criminal concocts a half-baked plan to rob an art museum and must deal with the aftermath when things don't go quite as planned. For those familiar with Kelly Reichardt's methodically slow, minimalist style, this ironically serves as an anti-heist movie, focusing more on the banality than the crime itself. I have to admit, this was a very frustrating watch, witnessing its incompetence unfolding at a languishing pace. It gave me a tummy ache.

2½ stolen paintings out of 5

SYNECDOCHE, NEW YORK [2008]

Like a melding of a Proust and Kafka novel adapted into film by Fellini, writer Charlie Kaufman's  post-modern drama directorial debut Synecdoche, New York is a dizzying tale that saunters between depression, dementia, death and decay.
The late Philip Seymour Hoffman plays a dying theatre director that becomes so consumed by his work, his grasp on the difference between fiction and reality are heavily blurred.  The film explores so many themes and motifs in it's unconventional plot, it'd be a task to list them all off but with some dedication to the film, the viewer will find all sorts of thoughtful goodies on it's many puzzling street corners.  It's a difficult film to enjoy as entertainment but an enticing one from a film-making and creative writing standpoint.

3½ ends built into the beginnings out of 5

DISCONNECT [2013]

Director Henry Alex Rubin's Disconnect is a riveting drama that does a fantastic job at intertwining several seemingly unrelated stories into a intense tale about the horrors of modern day technological communication.
At times it gets a bit too "preachy" and occasionally a bit heavy on the drama but it's perfect pacing and ensemble cast keep it from never getting boring.
It's infuriating, heartbreaking, morally confusing and when it all comes down to it asks the viewer to compassionately look at humanity from all different angles whether you want to or not.  
Definitely a film that wholeheartedly deserves more attention than it's woefully received.

4 anagrams out of 5

American Splendor (2003)

A bizarre blend of real life, documentary, fiction and dramatic re-enactment of the life of an average loser, the everyman Harvey Pekar. Harvey’s misery becomes instrumental to his success in life. He gets trapped in that cyclic depression, becoming both an inspirational idiot and a living parody.
It’s an indie comedy with a message about something or other. Paul Giamatti is wonderful; his facial expressions convey inner thoughts without the need for dialogue. It’s not depressing, nor particularly uplifting, it just drifts along at a nice pace, but it is well-made and has heart.

3½ Plebian lifestyles out of 5