A desperate cry for help leaves a young woman with the ability to see ghosts. They’re terrifying, shadowy things that occupy empty spaces and invade the personal space of others when they feel like it.
The story is unconnected to The Eye (2002) but came from the same creative team. The addition of a secondary story running alongside the horror adds a new dimension to the scares. The two halves take a long time to find any kind of synergy, but when they do it gifts the narrative with more emotional depth than the first film had.
Some say it's not as chilling as before, but I disagree; there are moments that scared all seven shades of shit out of me.
4 passengers out of 5
In a Nutshell. Mini reviews of movies old and new. No fuss. No spoilers. And often no sleep.
Showing posts with label Pang Brothers. Show all posts
Showing posts with label Pang Brothers. Show all posts
Friday, 11 April 2014
Monday, 11 March 2013
The Eye (2002)
It’s not the most original concept, but the tension and the atmosphere the Pang brothers create makes the film more than memorable. If the final act had kept the pace it would score higher. Fans of Asian horror won't be disappointed. Pray you don't need to use an elevator after watching.
3½ dead things out of 5
Tuesday, 20 November 2012
Bangkok Dangerous (1999)
Kong doesn't flinch as he kills because he can’t hear the cries of his victims or the thunder of the gun; he's deaf and mute.
An early film from the Pang Brothers in which they try hard to find an artistic voice and succeed most of the time. It’s exciting to watch it develop; like early John Woo. It’s dark, visually and thematically, lit partly by the surfacing emotions of the hard-boiled protagonist, but mostly it stays in the shadows.
3½ stylish kills and equally stylish cuts out of 5
An early film from the Pang Brothers in which they try hard to find an artistic voice and succeed most of the time. It’s exciting to watch it develop; like early John Woo. It’s dark, visually and thematically, lit partly by the surfacing emotions of the hard-boiled protagonist, but mostly it stays in the shadows.
3½ stylish kills and equally stylish cuts out of 5
Tuesday, 23 October 2012
Re-cycle (2006)
Labeling Re-cycle a horror movie is a bit of a stretch, but it's all the better for its lack of big scares. This is a parade of the fantastic, a tale of a writer's mind and all the ideas that lurk within. The plot sometimes feels like an excuse to showcase spectacular visuals, and I'm perfectly okay with this.
There's no denying that Re-cycle's script is a little lacking, but it's such a visual treat it's hard to care. The Pang Brothers have always had a great visual style, but this is their masterpiece, a buffet's worth of visual feasts. I would have loved this even if it had no plot at all. It was just so imaginative and was a joy to watch. As long as you don't come in expecting an involving story, you'll have a terrific time with this one.
4 forests of corpses out of 5.
Wednesday, 4 January 2012
Ab-normal Beauty (2004)
Aka: Sei mong se jun
Art student gets bored being pretentious and snobbish while photographing birds and buildings, so finds a morbid subject matter to get her jollies. For a brief moment it gets interesting, but plummets into stylised torture-porn bullshit that made me yearn for the birds and buildings again, at least they had hidden depths.
0 no, I don't care about your shitty art out of 5
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