In a quiet English coastal town in 1980, a lonely, aging woman works at the Empire Cinema as a theatre manager. A new, much younger hire threatens to shake up her world. Sam Mendes's romantic drama serves as a stirring homage to cinema that didn't quite resonate with me as deeply as I would have hoped. The romantic aspect wasn't entirely convincing, and the story quickly shifted into something else completely different. I kind of wish they chose to focus more on the history of the theater and the magic of the movies. I thought the most interesting character was Norman, the projectionist, especially when he stayed late to screen Being There for Hilary. The sweeping cinematography and music was in fine form (especially the rooftop fireworks scene depicted on the poster), but the end result feels more than a little underwhelming.
3 skinhead marches out of 5
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