The blind swordsman’s 10th film is unlike any that preceded it, but that doesn't automatically make it better or worse. Akira Inoue delivers a heavy-handed and voyeuristic portrayal of brothel violence that resembles a low budget western. There’s an occasional comedic moment, but mostly it’s a violent, blunt attack on the senses that was uncomfortable viewing.
There’s some wonderfully long scenes, but much of the camera work is far from complementary to the action. That kind of encroaching approach always makes me wonder what failings the director is trying to hide.
The final battle isn't one that I’ll want to revisit any time soon.
2½ cornered rats out of 5
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