An unsanctioned remake of Akira Kurosawa’s Yojimbo (1961) gave Sergio Leone the story he needed to craft one of the finest westerns I've ever seen.
Budgetary constraints were the second factor. Open vistas and extreme close-ups were used to hide the failings of the film stock, which worked in the film's favour, emerging as some of its most defining attributes.
No one looks as bad-ass as Clint does in a poncho. He plays the anti-hero with stubble so stubbly it could polish a diamond. Like the yojimbo character he strolls into town and casually sets up camp between two warring factions. He says very little but manages to be utterly engaging.
4½ short cigars out of 5
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