The Wizard (1989)

Corey (Fred Savage) accompanies his half-brother Jimmy (Luke Edwards) to California, for reasons that only one of the children understand. Along the way the siblings meet travelling teen Haley (Jenny Lewis) and, without going into detail why, video games become an important feature of their world.
It's a road movie for kids that seems rooted in the era it was released because of the video games (arcade Double Dragon, NES Ninja Gaiden, TMNT, etc), but its themes of bonding, self-realisation and awakenings of self-worth are timeless. The handling of each one is varied, but there's enough to make the journey worthwhile. Its attempt to make the Nintendo Power Glove seem cool are less successful, but it's nothing to be ashamed of - Nintendo failed too.

2½ happy wanderings out of 5

THE PRINCESS BRIDE [1987]

Rob Reiner delivers a heavily quotable comedic fantasy/romance with The Princess Bride, based upon William Goldman's novel of the same name.
Framed around the story of a grandfather reading his grandson the novel about a dashing mysterious farmhand who must rescue the love of his life from a dastardly smug king, while running into all sorts of interesting folks & creatures along the way.
Reiner & co. do a fantastic job of balancing sweetness, silliness and adventure without ever tipping to far into any tone to become a unbalanced parody of itself.  Blessed with a wicked yet silly sense of humor, a passionate love for fantasy material and a wonderful cast that is safe for all ages.

4½ rodents of unusual size out of 5

THE RULES OF ATTRACTION [2002]

Director Roger Avary's theatrical follow-up to Killing Zoe is an adaptation of Bret Easton Ellis' unhinged dark satirical novel The Rules Of Attraction.
It's the surreal story of three attractive Camden College students who lead jaded lives filled with sex, drugs and a multitude of selfish deeds.  Easton Ellis excels at creating despicable characters who we can't help but be intrigued by, knowing damn well he makes sure they all get their dues by the end.  Here, Avary does a fantastic job at capturing the non-linear storytelling of the novel, while giving it a gnashing bite all his own, which quite often you wish would be just a bit more subtle than it is.  The film completely lacks any sort of charm or anything even remotely pleasant to make it a comfortable viewing.  Front-to-back, it's pretty disgusting and if you realize that's exactly what it sets out to be and you're down with it, then it's pretty damned entertaining.  Who doesn't want to see Kevin Arnold shoot up heroin or Dawson Leery attack a guy with an electric carver?

3 vaginal infections out of 5