A Clockwork Orange (1971)

Kubrick's most controversial film explores two of the most common types of violence: physical and psychological. Which of the two is most damaging in its implication is debatable, but in order to get the message across the execution of story is by turns distressing, repellent, offensive and oddly pantomime.
The language used by Alex (Malcolm McDowell), the Nadsat slang, as it was in Anthony Burgess' original novel (1962), is a peculiar mix of childish wordplay and poetic structuring that's almost Shakespearean at times.
Using Beethoven, with its cultured/civilised associations, as a soundtrack to violence provides additional contrast in support of the larger societal ones.
It's a challenging film, in all respects, but an immensely powerful one.

5 victims of the modern age out of 5