It's unmistakably Gilliam in its use of 2D environments on a 3D plane, and the physical sets and miniatures are spectacular, but the deplorable reliance on blue/green screen means the handmade quality and beautiful rough edges are eliminated. At those times it’s about as visually interesting as the next TV commercial trying to sell you insurance or a new car.
The story itself has a similar contrast, but it's used to better effect. The fantastical and the real exist side by side, with only one of the two states being oblivious to the other. Connecting them is the titular Doctor Parnassus, who does so for reasons that become clear as you watch.
Seeing the inside of Terry’s mind externalised and captured on film is hugely entertaining, but the CGI does an ugly job of presenting it to us.
3 sustaining stories out of 5
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