In a Nutshell. Mini reviews of movies old and new. No fuss. No spoilers. And often no sleep.
Showing posts with label Lars von Trier. Show all posts
Showing posts with label Lars von Trier. Show all posts

Wednesday, 8 June 2016

Chacun son Cinéma (2007)

(Eng: To Each His Own Cinema)

An anthology that contains over thirty short films by as many different directors, commissioned to celebrate six decades of the Cannes Film Festival. Each work is approximately three minutes in length and was supposed to represent the director's "state of mind [...] as inspired by the motion picture theatre." As usual with this kind of thing, I'll put the full list in comments.
My 'Admit One' was for Kitano and Cronenberg, neither of which were essential. The ones that moved me most were Alejandro Iñárritu's 'Anna' and Abbas Kiarostami's 'Where Is My Romeo?', both of which had more emotion than the others combined. Also, I really liked Chen Kaige's 'Zhanxiou Village'.
A lot of them take place inside a theatre with crucial scenes from actual films being projected onscreen, so expect some spoilers.

3 light shows out of 5

Friday, 30 September 2011

Melancholia (2011)

Dogme 95 director Lars Von Trier (whose last effort I saw was Antichrist) delivers his latest in cinematic experimentalism. Kirsten Dunst is troubled by a deep affliction on the night of her wedding which leads to the breakdown of her life. On the other side of things, you have her very supportive sister who comes to her aid throughout it all. The first hour or so is very slow and you have no idea where it's going and then...BOOM. Everything else that comes before it is rendered trivial. Like The Tree of Life, it makes use of impressive visuals and beautiful music. It's much better to go into this film knowing nothing and enjoy it for all it's worth.

5 brilliant uses of Wagner's Tristan und Isolde out of 5

Saturday, 30 July 2011

Dear Wendy (2005)

What’s the collective noun for socially awkward misfits that form a pacifist gun club with an idyllic sense of right and wrong? They're Dandies. They're empowered. Shit gets real. It's a western of sorts on what resembles an unused Gus Van Sant backlot. Good times.

3½ testicle straps out of 5