This film is my favorite film of all time. Hitchcock is at the top of his game with Tony Perkins' performance portrayed to awkward perfection. The string only score from Bernard Herrmann is a one of a kind and has been copied but never topped since. Saul Bass' frantic titles design mixed with Herrmann's skiddish Psycho theme is pure gold that puts the viewer on edge from the very get go.
George Tomasini and Hitchcock's editing job (particularly the shower scene) is breathtaking. Segueing from motel to house is mixed flawlessly.
...and yes the house. Oh yes, the house. Just as iconic as the "screeching" violins bleeding all over the torn shower curtains.
In an era where the audience feared getting to know the killers all too well, like in The Collector, Peeping Tom & Twisted Nerve, Hitchcock's Psycho did it best.
If I could I'd give it a 6.
5 Cars In The Marsh out of 5
