The Searchers (1956)

John Wayne plays a man on a mission, a former Confederate soldier named Ethan Edwards who's searching for kidnapped members of his own family. He's aware that time is of the essence, aware that his search might have to end in tragedy, but his determination nevertheless remains unwavering.
Separate from its overwhelming reputation, the beauty of the film is perhaps foremost in the (overused) Monument Valley landscape, but it goes much deeper than that and it's something that you might not be wholly aware of on first viewing. Enjoy it as a story the first time, but use repeated viewings to pick out the all-important details: the letter that plays with time, the reasons for the conflicting emotions that burn like a fire in Wayne's eyes, the way Dir. John Ford uses frames within the frame, etc, because below the surface is where the film's more complex considerations are to be found.

4 blanket trades out of 5

The Man Who Shot Liberty Valance (1962)

An ageing US senator has an 'old west' story to tell, one that he's been holding onto for decades, from before railroads connected the civilised parts of the country with the lawless parts. The majority of the film details it in flashback.
Stewart is an outsider lawyer who advocates non-violence. Wayne is a weathered cowboy who advocates gunfire if the situation calls for it. One is a talker, the other a doer. They nevertheless develop a strong respect for each other over time, but their differences remain.
The physical threat isn't as mean as he could've been, perhaps by way of avoiding overshadowing the emphasis placed on the relationships? I don't know. I do know that the comedy moments weakened the established tone a little too often for my liking. But the wrap up is excellent, and it's Wayne and Stewart in the same film! That makes it more than worth anyone's time.

3½ cactus roses out of 5