The first Zatoichi film isn’t a typical origin story. Dir Kenji Misumi relies on Shintarô Katsu to show us who Zatoichi is through his actions and his associations, while telling us only a little of how or why he came to be that way. Shintarô, who has to work extra hard because he can’t use his eyes to convey emotions, gives a sympathetic but strong performance. Misumi’s long takes, dramatic timing and occasional playful movements complement that performance beautifully. And yet, it’s also a film of contrasts. Most overtly in the swordplay that shows how degrading the amateur, chaotic mob mentality is compared to the honourable, masterful and purposeful samurai exchange.
3½ manipulations out of 5
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