Three vignettes exploring the same idea weave into one non-linear entity that’s also paradoxically linear in a very fundamental way.
Kitano's editing is typically flawless. Visually it's more colourful than usual and certainly more open to interpretation. It’s less overtly violent, but is perhaps the most violent of all when you delve deeper into the motivations. I found it impossible to hold onto one narrative thread and follow it without succumbing to the urge to grasp at a hundred others.
Ultimately, you'll take from it what you bring to it.
Some basic knowledge of Japanese society will enrich the experience.
4 closing seasons out of 5
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