The second film in Yamada’s trilogy of Samurai period dramas is structurally very similar to its predecessor, but the characters and setting are different and their actions have further reaching consequences.
It's a story of the individual trapped within a social structure that places great strains and limitations on his conduct and his affections.
Yamada is a master filmmaker. His ability to weigh the passing of time against the stillness of contemplation is honed to perfection. He’d plenty of practice, having made over seventy films previously.
5 sakura out of 5
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