A Tennessee Williams play adapted for film by the director of Cleopatra (1963). It’s an amazingly well-constructed Southern Gothic period piece.
Elizabeth Taylor has a dark secret. Katharine Hepburn is rich and has an agenda. They clash over the truth. Montgomery Clift tries to be the catalyst. It’s almost perfect.
4½ scorching white-hot days out of 5
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“Where we’re going, we don’t need ________”
A) Mom’s permission. B) Roads. C) Pants.