Still photographer Tyler Shields presents his first film with a slick and method style. Infiltrating a pack of young killers, Abigail Breslin offers a sympathetic yet hard fought performance as a young undercover operative. The story is extremely straightforward at first but becomes increasingly far-fetched towards the halfway point. Shields knows how to frame a shot, but inexplicable lighting and continuity issues mar the film as a whole. It's an impressive directorial debut showcasing some young talent, but the compelling premise becomes less and less as it reaches its obvious conclusion.
2½ Anna Belles out of 5
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“Where we’re going, we don’t need ________”
A) Mom’s permission. B) Roads. C) Pants.